Steps to conquer stage fright: permission to fail

This is a series about conquering stage fright. First, we talked about the importance of knowing yourself. Then, we talked about the fear factor. Third, we talked about creating positive experiences to help fight the panic. Fourth, we looked at the importance of knowing what you’re doing. Last week, we talked about the danger of focusing on results.

 

permission

The other day I read a fantastic blog post by one of my favourite writers, Sarah Duncan. She was advising the readers of her blog to give themselves permission to write rubbish. Sarah wrote:

“I tell students to write rubbish because the worst bit of rubbishy writing on the page is worth more than the most perfect bit of prose stuck in your head. Stuff on the page can be improved, developed, tweaked,given colour and life and energy and style. Stuff in your head is – well, stuff in your head. It can’t be read by anyone.”

I think there are two important points to draw out of this.

  1. To do something well, you have to do it a lot. A lot. And you have to be prepared for some of what you do to be rubbish. There is no point waiting around for perfect inspiration to strike! I wrote about the importance of practice here.
  2. You have to give yourself permission to fail. It is important to allow yourself to be bad at something.

Reasons to be rubbish

  1. Everyone has to start somewhere. Even the greatest musicians and artists started off at the beginning. And part of being at the beginning is making mistakes.
  2. Mistakes are part of the learning process. Robert Kiyosaki writes about this very effectively in his book If You Want to be Rich and Happy, Don’t Go to School.
  3. Perfection paralyses creativity. If you wait for perfection before you put the sentence on the page (or the brush on the canvas), you’ll be consigning yourself to a potentially angst-ridden experience.

FM Alexander remarked in 1923 upon the fact that our response to stimuli is in part determined by our psycho-physical condition. He reminds us that “a man’s conception of his present or future financial condition in life is different when he is … in a good and happy ‘frame of mind’, from what it is when he has a ‘grouch’.”*  And Cognitive Behavioural Therapy would tell us that our frame of mind is a decision we have made based upon a thought process. (See Burns’ Feeling Good)

Therefore, making a different decision about how we are going to respond to the concept of failure is actually really important. Nobody particularly wants to fail. So we mentally (and possibly physically) tense up in preparation. It is hard to be creative and perform well when tense.

So if we give ourselves permission to fail, we on’t merely take pressure off ourselves. We may even give ourselves the freedom to perform better.

But what about the performance? I can’t give a bad Groom’s speech!

It’s true that sometimes the rubber has to hit the road. You have to be ready. But that’s why it’s a great idea to give yourself lots of trials runs, having a go in low-risk situations where it is easier to allow yourself to fail. If you have to give a speech, join Toastmasters and get some practice there. If you’re a musician, find a group to play with informally. Play in small competitions. Find places to try things out and be rubbish. Then you’ll be more prepared when you’re in the performance where it has to ‘count’.

Will you give yourself permission to fail?

 

* FM Alexander, Constructive Conscious Control of the Individual in the Irdeat Complete Edition, p.240.

Make decisions! 3 Alexander Technique aids to decision making in creativity.

This is the second post in a short series on what FM Alexander can teach us about steps to creativity. Last week’s post was called Make Mistakes!

decision-making

Decision making is a shadowy discipline in creative ventures. We all do it, but we don’t necessarily give our decisions their full value or significance. Will I play that phrase legato or portato? Does my character say that line because he is in love with the girl, or because he is pretending? Should I blend in the vermillion, or leave a harder edge?

The Alexander Technique has a lot to teach us about the value of decision making. FM Alexander’s account of his creation of his work (in The Use of the Self) is full of it! Here are the elements ofAlexander’s endeavours that I have found useful:

1. Examine the evidence.

Alexander’s account of the evolution of his technique is bursting with words descriptive of examination and deliberation. “This led me to a long consideration…” “I observed…” “It gradually dawned upon me…” “On discovering this, I thought back to see if I could account for it…”

Alexander gathered evidence, and then he evaluated it at length. Nothing was discarded or discounted. He even included this step as part of is plan to employ his reasoning processes, as analysing the conditions present.

Do you gather and examine the evidence? All of it?

 

2. Make the decision!

Once FM analysed, he used his reasoning processes to make a decision, and he acted upon it. So often we try to avoid making a decision, especially if it involves difficult or equally problematic alternatives to choose from. But we need to make a decision. Until we do, we keep ourselves stuck.

 

3. Make the decision, then STOP WORRYING!

Often, our reluctance to make a difficult decision stems from worry about whether we are choosing the right alternative. What if we get it wrong? What if the other choice was better after all?

There are no guarantees for us, and there certainly weren’t any for FM. He was facing the loss of the career that he loved. He had no idea if the theories and physical experiments he was trying would work. But he tried them anyway, and when they didn’t work, he tried something new. The prospect of success was worth the risk of failure.

In his book Rich Dad Poor Dad, Robert Kiyosaki writes, “Failure is part of the process of success. People who avoid failure also avoid success.”

Are you prepared to risk failure in order to succeed?

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